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Ballet Star Matthew Ball on Grueling Parts and Online Attention: 'I'm Not Protective About My Body'

Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is naturally straight-backed, his limbs defined beneath a plain white T-shirt. On stage, ballet dancers can appear like powerful gods, yet often in person they are petite. Not so Ball, whose height is one reason for his popularity for heroic roles and partnering. With delicate traits and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is experiencing the peak of a career that has advanced smoothly. Raised in Liverpool, he encountered little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished tackling meaty characters, particularly the psychological turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured appearance is as himself, in an "In Conversation" event designed to offer behind-the-scenes insights into a dancer's craft. He will guide the crowd through a role, showing his cognitive workflow while performance. Yet in more comedic ballets, the challenge is profound. "A classic ballet is one of the toughest from a skill perspective," he notes.

The Psychological Game and Post-Performance Feelings

What about after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious afterwards. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. Yet a dance maker once observed on a "sense of suffering in him." Is there? "I am very active usually, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Artistic Inspirations

His determination originated in early setbacks. Not doing well in competitions at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

An upcoming challenge is making his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, compositions, and art.

Intimate Dance and Private Dynamic

He additionally favors presenting dance in smaller spaces. "It was just really exciting," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Perception

On Instagram, followers can see videos from his dance films and photos that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—something that can be seen on various ways.

Ball describes his younger self as "eager for success." Has it lived up to his hopes? "I feel very aware of how life is a separate thing to the dreams you had as a young person," he reflects. He likely has another decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

Christopher Hull

Teknikentusiast och skribent med passion för innovation och digitala trender.

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